Archive for January, 2024

Wednesday, 31 January 2024

The Undead by Allison Thorpe

I grew up among the undead
those sepia strangers
blank faced gypsies
who framed walls and cluttered shelves

we dusted them weekly like religion
shined the immaculate visions
of our past bestowing them
the life we didn’t tithe ourselves

ladies in high-necked gowns
lace and ribbons jewels
sober men in worn suits
and well parted hair
working women glued to their aprons

rooting us by genes
with names like
Elnora
August
Wilhemena
Gerhard

their dark eyes keening
strangled journeys
wide waters
promise-laden lands

their frozen stories following us
through homework and dinners
watching our sleep with envy
their secrets kindling
the muted air around us

From: https://apex-magazine.com/poetry/the-undead/

Date: 2018

By: Allison Thorpe (19??- )

Tuesday, 30 January 2024

Song for an Ancient City by Amal El-Mohtar

Merchant, keep your attar of roses,
your ambers, your oud,
your myrrh and sandalwood. I need
nothing but this dust
palmed in my hand’s cup
like a coin, like a mustard seed,
like a rusted key.
I need
no more than this, this earth
that isn’t earth, but breath,
the exhalation of a living city, the song
of a flute-boned woman,
air and marrow on her lips. This dust,
shaken from a drum, a door opening, a girl’s heel
on stone steps, this dust
like powdered cinnamon, I would wear
as other girls wear jasmine and lilies,
that a child with seafoam eyes
and dusky skin might cry, there
goes a girl with seven thousand years
at the hollow of her throat, there
goes a girl who opens her mouth to pour
caravans, mamelukes, a mongolian horde
from lips that know less of roses
than of temples in the rising sun!

Damascus, Dimashq
is a song I sing to myself. I would find
where she keeps her mouth, meet it with mine,
press my hand against her palm
and see if our fingers match. She
is the sound, the feel
of coins shaken in a cup, of dice,
the alabaster clap of knight claiming rook,
of kings castling — she is the clamour
of tambourines and dirbakki,
nays sighing, qanouns musing, the complaint
of you merchants with spice-lined hands,
and there is dust in her laughter.

I would drink it, dry my tongue
with this noise, these narrow streets,
until she is a parched pain in my throat, a thorned rose
growing outwards from my belly’s pit, aching fragrance
into my lungs. I need no other. I
would spill attar from my eyes,
mix her dust with my salt,
steep my fingers in her stone
and raise them to my lips.

From: https://mythicdelirium.com/featured-poem-archive

Date: 2008

By: Amal El-Mohtar (1984- )

Monday, 29 January 2024

Egg Horror Poem by Laurel Winter

small
white
afraid of heights
whispering
in the cold, dark carton
to the rest of the dozen.
They are ten now.
Any meal is dangerous,
but they fear breakfast most.
They jostle in their compartments
trying for tiny, dark-veined cracks-
not enough to hurt much,
just anything to make them unattractive
to the big hands that reach in
from time to random time.
They tell horror stories
that their mothers,
the chickens,
clucked to them-
merengues,
omelettes,
egg salad sandwiches,
that destroyer of dozens,
the homemade angel food cake.
The door opens.
Light filters into the carton,
“Let it be the milk,”
they pray.
But the carton opens,
a hand reaches in-
once,
twice.
Before they can even jiggle,
they are alone again,
in the cold,
in the dark,
new spaces hollow
where the two were.
Through the heavy door
they hear the sound of the mixer,
deadly blades whirring.

They huddle,
the eight,
in the cold,
in the dark,
and wait.

From: https://whs-hs.weatherfordisd.com/ourpages/auto/2013/11/20/44541652/Poem%20Egg%20Horror%20Poem.pdf

Date: 1998

By: Laurel Winter (1959- )

Sunday, 28 January 2024

The Thirteenth Child by Mari Ness

If our thirteenth child is a girl, all her twelve brothers must die, so that she may be very rich, and the kingdom hers and hers alone.
from
Household Tales, collected by the Brothers Grimm.

I never knew
their names. Only
twelve coffins
in one straight line,
filling the cold grey crypt.

I never wanted
more bones. Only
those already
in my hands,
toys for our plain stone halls.

I never knew
true wealth. Only
the gold glittering in
fairy tales,
absent from our own stone crypt.

I never wanted
death. Only
voices, hands,
silken words
to fill the cold grey halls.

I hold a kingdom
of dry bones,
a kingdom of
shadowed whispers.

If only
I could have known my brothers.
If only I had
more than coffins.

If only this gold
did not burn my skin,
did not burn me with its cold.

From: https://www.uncannymagazine.com/article/the-thirteenth-child/

Date: 2015

By: Mari Ness (c1971- )

Saturday, 27 January 2024

Instructions for Honey Ants by William “Billy” Randolph Marshall-Stoneking

Work with the end of your dress
tucked up between your legs.
Speak in whispers; laugh silently;
do not whistle. Whistling especially,
brings bad luck. Do not be afraid
to feel where you cannot see
Disappear into earth
With crowbar and billy can;
Go down, maybe ten feet.
If you find them, it is better
When children are waiting.
This is marangkatja: a gift.
Love what you are after.

From: https://www.troublemag.com/stralian-stories-billy-marshall-stoneking/

Date: 1990

By: William “Billy” Randolph Marshall-Stoneking (1947-2016)

Friday, 26 January 2024

Australia by Gary Alfred Catalano

I breathe the air of another country
when I walk among these people.
How terrible it is!

Generations have yearned for the new life
and it comes to this!
What will hold them upright

when their dreams are repossessed
and sold again at a discount?
But give me the smell of used nails

rusting in tins, and the dreams
that were swaddled in hessian.
I want the scene before it changed —

the blackberry-choked creeks,
the roads going nowhere, the shyness
of youth. Let me see again

the glitter of galvanised iron,
the scatter of farms and chicken-sheds,
and pictures like this:

in an afternoon of its own
a tortoise makes its slow way
across a road of blue metal and tar.

It pulls in its head at the sound
of an approaching car, whose driver stops,
gets out, then moves it into the tall grass

at the side of the road,
where a creek has begun to unthread itself
from a soak, and etch its straggly line

across the adjoining paddock,
whose wall of trees closes off the scene
from all the other countries in the world.

From: Murray, Les A. (ed.), The New Oxford Book of Australian Verse, 1986, Oxford University Press: Oxford, pp. 346-347.
(https://archive.org/details/newoxfordbookofa0000unse_x8a4/)

Date: 1986

By: Gary Alfred Catalano (1947-2002)

Thursday, 25 January 2024

The Red Shoes by Marion King Alexopoulos

This book is cold.
Its damp leather
sweats an abysmal odour.
Inside
a girl writhes.
Demon features.
The pen’s brain cavity,
restless.
Somewhere, the terrible stick
that will beat out her wickedness.

Scarlet child
disobeying. Ancestral tombs
and marble scrolls
conjure a hand of snow.

She dances,
the clatter on the boards.
The congregation, torch face
turned on.

How the sin grows. An inflamed fungus
secreting into the womb-pit
a pain, sharp as a burn.

Feet. Two runaway thieves.
The shape in the woods, flying.

Limbs fall like kindling.

Kind hands carving,
fitting wood to bone, binding the legs.
The mortifying clubs
sing sweet as thorns.

From: https://meanjin.com.au/poetry/the-red-shoes/

Date: 1975

By: Marion King Alexopoulos (1948- )

Wednesday, 24 January 2024

What the Mind Hears by Michael John Pender Dransfield

As the sea
is contained in a cowrie shell
so inside the eyelid
a picture
within the ear a song
a rhyme under the tongue
or in cupped hands a shape a surface.
The conception always just beyond touching
out of reach
to reach it is creativity
to only feel its presence is frustration;
what the mind hears
when it will not give utterance—
Art itself but how to make it real?

From: Brennan, Michael and Minter, Peter (eds.), Anthology of Australasian Poetry, 2000, p. 1250.

Date: 1970

By: Michael John Pender Dransfield (1948-1973)

Tuesday, 23 January 2024

Haven by Pamela Jane Barclay Brown

that’s nature
for you –
worried
by a whip-bird,
bitten and blotched
by all
the different bugs
and nanobac
that we find
inside the hut,
the weekender,
the cabin
in the haven.
the shady
scenic-route lookout
marks the place
that feeds vertigo
that induces insomnia,
lie counting
the bouncy
screenmate sheep
all night,
the wheely bin
full of sticks
and plastic curtain rings.

From: https://webarchive.nla.gov.au/awa/20051129003626/http://pandora.nla.gov.au/pan/14234/20051128-0000/www.cordite.org.au/archives/000922.html

Date: 2005

By: Pamela Jane Barclay Brown (1948- )

Monday, 22 January 2024

Harbour Dusk by Robert William Geoffrey Gray

She and I came wandering there through an empty park,
and we laid our hands on a stone parapet’s
fading life. Before us, across the oily, aubergine dark
of the harbour, we could make out yachts –

beneath an overcast sky, that was mauve underlit,
against a far shore of dark, crumbling bush.
Part of the city, to our left, was fruit shop bright.
After the summer day, a huge, moist hush.

The yachts were far across their empty fields of water.
One, at times, was gently rested like a quill.
They seemed to whisper, slipping amongst each other,
always hovering, as though resolve were ill.

Away off, through the strung Bridge, a sky of mulberry
and orange chiffon. Mauve-grey, each sloven sail –
like nursing sisters in a deep corridor, some melancholy;
or nuns, going to an evening confessional.

From: https://www.poetryinternational.com/en/poets-poems/poems/poem/103-12179_HARBOUR-DUSK

Date: 1984

By: Robert William Geoffrey Gray (1945- )