my father did not rape me.
my mother does not hate me.
and i’m at peace with my god.
but, i write to stop the pain.
i write to clean the rain.
i write to incite ocean waves.
i communicate with
the eyes of tornadoes,
and sift through the ash
of volcanoes.
i tell trees to reclaim
their rightful terrain.
i write to stop the pain.
i write apologies to blind fish
swimming with injured fins.
i send get well cards
to crippled, three-legged frogs
who want to hop again.
i write editorials to applaud
dolphins who inspired
an environmental conference.
i write prayers for the noble elk
slain, beheaded and displayed.
i write to stop the pain.
i write pleas for human beings
i write so white folks
can take off their skin,
i write for young teens
pulling up their jeans,
singing syncopated rhythms
in discordant, rhyme schemes,
i write for young women
with spiraling, sculptured hair
reaching for pastel sunsets
painted on false fingernails,
i write to stop the pain.
i speak in tongues and
swear in ancient languages,
i encode with signs and
transcribe tragic images,
i write as a reason to be.
i write poetry that bleeds,
i write to stop the pain
From: Bard, Melba Joyce, “Yari Yari: Writing for the Future” in The Black Scholar, Volume 29, Number 2/3, Summer/Fall 1999, p. 9.
(https://www.jstor.org/stable/41058673)
Date: 1999
By: Melba Joyce Bard (1950- )